During an athletic performance of her new song “Louboutins,” Lopez walked up the backs of five dancers, who were assembled like steps, then attempted to leap off — and fell right on her rear end.

and

“She walked off the stage absolutely fuming,” an unnamed insider told Fox News. “She was so upset, and ready to kill. Jennifer was a perfectionist about that performance and practiced hard.”

Singer Adam Lambert also made an impression with a performance MTV says divided critics. According to their article:

A kind of mash-up of the top awards-show shock moments from Britney, Madonna and Christina Aguilera over the past 15 years, complete with faux-oral sex (which was edited out of the West Coast feed), S&M play, bondage, crotch-grabbing, same-sex make outs, serial hip-thrusting and even an accidental stumble, Lambert made it clear that he’s not the kind of safe pop star typically churned out by the “Idol” machine.

He also pre-emptively declared that anyone who criticized his display of sexual liberty was endorsing a double standard that says straight women can explore their (bi)sexuality onstage, but gay men can’t. However, not everyone agreed.

The Los Angeles Times’ site features photos of the awards show, including what they call Lambert’s “ultra-lewd” performance.

Taylor Swift was a big winner last night, this time without interruption from Kanye West when accepting any of her five awards, which included the top prize, “Artist of the Year.”

Whitney Houston’s big comeback performance is getting very positive buzz on the Internet. FilmyFair says:

What made Whitney different from the other performers at the AMAs, was the fact that she only let her voice do all the performing – figuratively speaking. She did not get into anything bold, nor headline grabbing worthy nor seductive, but she let her powerful voice win over the audience.

And Gather.com says, “It’s official: the Queen of the Night is back!”

For a complete list of winners and links to their award winning songs, check out the Events section on MetroLyrics.com by clicking HERE!

Greg Kot of the Chicago Tribune says:

there was hope that “For Your Entertainment” would be the first post-“Idol” debut to break the mold of industry-manicured pap. Instead, it’s a series of hedged bets. It stuffs Lambert into a box of formulas that keep his musical flamboyance in check.

Rob Cavallo, Dr. Luke, Ryan Tedder, Max Martin — among the most successful songwriters and producers of the decade, experts at manipulating the industry machine — keep him firmly in the middle of the road. The most exciting moments arrive when he veers off, little explosions of individuality that suggest Lambert has a lot more to give than this album and his small army of handlers will allow.

Pop & Hiss, the LA Times Music Blog says of the first single from the album:

The first single and title track from Adam Lambert’s soon-to-be-dropped debut album couldn’t be more of an announcement. “For Your Entertainment” strides into the room, snaps its fingers and declares 2010 the year of Our Gorgeously Airbrushed Overlord.

With a toy whip in his hand and a glittery gleam in his eye, Glambert croons familiar phrases about making it hot, getting rough and staying in control. Scandinavian hitmaker Dr. Luke wrote and produced the track, and it has that compressed, noisy rock ‘n’ roll circus sound he’s created for others, including Britney, Pink and that other neo-vaudevillian troublemaker, Katy Perry.

Some Glamthusiasts may bemoan the restraint (and processing) applied to the song’s vocal, but Lambert is making another move in this song, one likely to become a signature. He sings with an arched eyebrow, executing a come-on that wryly takes the pffft out of itself.

And Rolling Stone said of the previews available earlier this month:

Based on the half-minute previews, For Your Entertainment seems to be evenly divided between glam stompers like the title track, “Sure Fire Winners” and “Strut” and big ballads like “Broken Open,” “A Loaded Smile” and “Soaked,” which was written by Muse’s Matt Bellamy and sounds similar to the band’s own “Unintended.” You can definitely hear the influence of Lambert’s all-star songwriters as well. “Music Again,” penned by the Darkness’ Justin Hawkins, serves as a glamtastic opening track that both welcomes listeners to For Your Entertainment and has us wishing the “I Believe In a Thing Called Love” rockers would reform.

What do you think? Are you a member of “Glambert Nation”?